French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.   Related Paintings of Pierre-Auguste Renoir :. | At the Concert a Box at the Opera | After The Bath | Markusplatz in Venedig | Jeune garcon sur la plage d`Yport | Reading Virgin Mary with the Child |
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Richard Gerstl
(September 14, 1883 - November 4, 1908) was an Austrian painter and draughtsman known for his expressive psychologically insightful portraits, his lack of critical acclaim during his lifetime, and his affair with the wife of Arnold Schoenberg which led to his suicide. Richard Gerstl was born in a prosperous civil family, Emil Gerstl, a Jewish merchant, and Maria Pfeiffer, non-Jewish woman. He visited the Viennese Piaristengymnasium (de) (Bundesgymnasium Wien 8 (de), Josefstadt), but he had to leave because of difficulties of discipline. Early in his life, Gerstl decided to become an artist, much to the dismay of his father. After performing poorly in school and being forced to leave the famed Piaristengymnasium in Vienna as a result of "disciplinary difficulties," his financially stable parents provided him with private tutors. In 1898, at the age of fifteen, Gerstl was accepted the Academy of Fine Arts Vienna where he studied under the notoriously opinionated and difficult Christian Griepenkerl. Gerstl began to reject the style of the Vienna Secession and what he felt was pretentious art. This eventually prompted his vocal professor to proclaim, "The way you paint, I piss in the snow!" Frustrated with the lack of acceptance of his non-secessionist painting style, Gerstl continued to paint without any formal guidance for two years. For the summers of 1900 and 1901, Gerstl studied under the guidance of Simon Hollesy in Nagybenya. Inspired by the more liberal leanings of Heinrich Lefler (de), Gerstl once again attempted formal education. Unfortunately, his refusal to participate in a procession in honor of Emperor Franz Joseph I of Austria further ostracized him and led to his departure. Gerstl felt that taking part in such an event was "unworthy of an artist." His final exit from Lefler's studio took place in 1908. In 1904 and 1905, Gerstl shared a studio with his former academy classmate and friend, Viktor Hammer. Although Hammer had assisted in Gerstl's admittance to Lefler's tutelage and their relationship was friendly, it is difficult to determine how close the two men were as Gerstl did not associate with other artists. Regardless of their personal feelings, by 1906, Gerstl had acquired his own studio. Although Gerstl did not associate with other artists, he did feel drawn to the musically inclined; he himself frequented concerts in Vienna. Around 1907, he began to associate with composers Arnold Schoenberg and Alexander von Zemlinsky, who lived in the same building at the time. Gerstl and Schoenberg developed a mutual admiration based upon their individual talents. Gerstl apparently instructed Schoenberg in art.
Samuel Shelley
English, 1750-1808
ZUCCARO Federico
Italian Mannerist Painter, ca.1542-1609 ..Painter, draughtsman and writer, brother of (1) Taddeo Zuccaro. Having been invited to Rome by his brother, between 1555 and 1563 he worked with Taddeo on various projects including the Villa Farnese at Caprarola and the Pucci Chapel in Trinit? dei Monti, Rome. Many of Federico's drawings for both commissions show Taddeo's influence. According to Vasari, Taddeo supervised his brother's early work, which created friction between them. In 1558, for example, when they collaborated on painting the fa?ade of the house of Tizio da Spoleto with scenes from the Life of St Eustace, Taddeo retouched some of his brother's paintings, so offending Federico. Already at 18 Federico was commissioned to paint many works at the Vatican: the Transfiguration, the Marriage at Cana and other scenes from the Life of Christ for the decorations (part destr.) of the Casino of Pius IV;